I Know What You Did Last Summer 1997: The Slasher That Traumatized a Generation Explicit

The Childhood Trauma series is back. We're revisiting I Know What You Did Last Summer (1997) to figure out why this post-Scream slasher broke Meaghan as a kid. Wild production facts, convoluted plot breakdowns, and the honest verdict on whether it still holds up.
We revisit the 1997 slasher that terrified a nine-year-old in a creaky basement. Production secrets, casting surprises, and whether this post-Scream classic still holds up.

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Lee Cronin’s The Mummy (2026) Review: Gory, Atmospheric, Tonally Confused Explicit

Lee Cronin's The Mummy is here, and it is not a Brendan Fraser movie. Arthur and Meaghan break down Blumhouse's R-rated possession film, the good (practical FX, Natalie Grace) and the genuinely confusing (wheelchair scenes, tonal whiplash). Spoilers included.
Lee Cronin's The Mummy (2026) swings for gory, Evil Dead-style horror but gets tripped up by tonal whiplash, overused camera tricks, and shoehorned Egypt lore.

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Exit 8 Review: The Japanese Horror Film That Turns a Subway Loop Into Something Deeply Human Explicit

Exit 8, the liminal horror video game adaptation that earned an 8-minute standing ovation at Cannes 2025, just hit North American theatres — and Arthur and Meaghan went to see it opening weekend. Game knowledge, anomaly breakdowns, spoiler section, and the full verdict on whether Genki Kawamura's subway loop nightmare is actually better than the game it's based on.
Exit 8 adapts a viral indie game into a tense, emotionally layered Japanese horror film. We break down the story, the scares, and why it works as more than just a video game movie.

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Faces of Death (2026): A Social Media Horror Requel That Actually Has Something to Say Explicit

Faces of Death (2026) is in theatres now, and Arthur and Meaghan went opening night. Here's their honest take on the TikTok-era requel — the performances, the kills, and whether the marketing hype actually delivers.
The 2026 Faces of Death requel modernizes a cult classic for the social media age — blending psychological horror with sharp commentary on our obsession with online violence.

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