Horror fans are laughing at Lee Cronin’s The Mummy instead of screaming. Inside the disconnect between critic reviews and audience comedy reception.
Exit 8, the liminal horror video game adaptation that earned an 8-minute standing ovation at Cannes 2025, just hit North American theatres — and Arthur and Meaghan went to see it opening weekend. Game knowledge, anomaly breakdowns, spoiler section, and the full verdict on whether Genki Kawamura's subway loop nightmare is actually better than the game it's based on.
Exit 8 adapts a viral indie game into a tense, emotionally layered Japanese horror film. We break down the story, the scares, and why it works as more than just a video game movie.
Exit 8 arrives in theaters April 10 as liminal space horror’s biggest cultural moment.
13+ horror films in April 2026. The Blumhouse merger, streaming wars, and box office data explain why studios are flooding one month with horror.
Some horror movies you love but will never, ever watch again, and this week, Arthur and Meaghan dig into exactly why. From Hereditary and Gerald's Game to Hounds of Love and The Mist, they break down the films that broke them and why that's sometimes the highest compliment a horror movie can earn.
Horror movies you love but will never watch again. 12 films that are brilliant, brutal, or just too much to ever revisit.
Undertone is a slow-burn Canadian horror film where a paranormal podcaster receives anonymous audio files that start bleeding into her reality.
Undertone is a 2026 Canadian horror film built entirely on sound design and atmosphere. Here's our review of Ian Tuason's chilling paranormal debut.
A24’s Undertone opens Friday March 13 with 88% on Rotten Tomatoes. Here’s what critics are saying about the scariest new horror film of 2026.
Arthur and Meaghan just got out of The Bride! — Maggie Gyllenhaal's punk feminist reimagining of Bride of Frankenstein starring Jesse Buckley and Christian Bale. Is it the monster movie of the year? They have strong opinions. Spoilers ahead.
Maggie Gyllenhaal's The Bride is bold, surreal, and stacked with great performances. We saw it — here's our full breakdown of what works and what drags.
Grave Tone collabs with Horror Roulette Podcast for a Childhood Trauma double feature: Dolls (1987) and Poltergeist (1982). We revisit the scenes that wrecked us as kids—porcelain terror, clown panic, tree-eating chaos, and peak 80s practical effects—plus the surprisingly funny moments we forgot.
Revisiting Dolls (1987) and Poltergeist (1982), Grave Tone and Horror Roulette Podcast unpack childhood trauma, fear of dolls, and horror movies that still haunt us.
We review The Plague, Charlie Polinger’s coming-of-age psychological horror set at a boys’ water polo camp—where a cruel “plague” game turns insecurity into something monstrous. Spoilers included as we unpack the score, performances, body-horror metaphor, and why it hits so uncomfortably close to home.
A disturbing and realistic horror film about adolescence, bullying, and body horror at summer camp. The Plague (2025) is one of the year’s most talked-about movies.



