SOULM8TE skipped theaters for direct-to-digital VOD. Is this M3GAN spinoff a smart franchise experiment or a warning sign for horror expanded universes?
Jane Schoenbrun at Fantasia 2026: Horror Has No More Walls
- July 8, 2026
- Tagged as: Fantasia Film Festival, Sci-fi Horror
Jane Schoenbrun’s post-I Saw the TV Glow film lands at Fantasia 2026 after Cannes raves. See why her career arc is redrawing the map for horror cinema.
Ten Canadian horror movies we actually love, counted down for Canada Day. Killer jeans, a word-virus zombie flick, a dark web thriller, Ginger Snaps, Cube, and more underrated Shudder gems worth hunting down.
The best Canadian horror movies, from killer jeans to cursed audio to a werewolf coming-of-age classic.
The Last House on Netflix joins horror’s most claustrophobic tradition. See how Louis Leterrier’s 2026 film redefines locked-location horror with Greta Lee.
It's Summerween 2026 on Grave Tone: our full lineup of summer horror movie recommendations (Pitfall, Dangerous Animals, The Vast of Night), vampire favorites, slasher book picks, and the horror TV shows we can't stop watching, including Widow's Bay and Midnight Mass.
Grave Tone's Summerween 2026 picks: ten horror movies, six books, and four TV shows perfect for hot weather and serious dread.
Megan and Arthur count down their Top 10 horror movies of 2025—the biggest releases, the under-the-radar surprises, and the films that stuck with them long after the credits (no spoilers).
We rank the top 10 horror movies of 2025—from surprise hits to festival favorites. No spoilers, just honest picks from two die-hard fans of horror cinema.
Horror author Jonathan Janz joins Grave Tone to talk his new sci-fi horror novel Veil, his story “Leonora” in The End of the World as We Know It: New Tales of Stephen King’s The Stand, and why horror is the most “limitless” genre. Plus: childhood trauma movies, haunted-house preferences, and rapid-fire horror takes. Tags
From streaming scares to King-backed anthologies, Jonathan Janz breaks down the trends and cultural shifts making horror 2025’s most unstoppable genre.