Early review: Primate delivers 5 brutal reasons it isn’t just another creature feature—shocking opening kill, smart final girl, gnarly practical effects, and real heart.
Grave Tone is back from an early screening of Primate (2026)—a rabies-fueled killer chimp creature feature set in remote Hawaii. We break down spoiler-free reactions, our scores, the wild practical/CG effects, and then dive into full spoilers (smart characters, gnarly kills, and those tense “silent” POV moments).
Early, spoiler-light review of PRIMATE: we break down that jaw-dropping cold open kill (before minute five), Troy Kotsur’s standout turn, and whether this creature feature roars.
We’re back with a spoiler-filled review of We Bury the Dead (2026)—the Tasmania-set zombie thriller starring Daisy Ridley. We break down what works (visuals, performances, creepy undead moments) and what totally didn’t (clichés, pacing, and an ending choice we can’t stop debating).
We Bury the Dead review: Daisy Ridley and killer zombie design impress, but the story stumbles. Theater-worthy or skip it?
We review The Plague, Charlie Polinger’s coming-of-age psychological horror set at a boys’ water polo camp—where a cruel “plague” game turns insecurity into something monstrous. Spoilers included as we unpack the score, performances, body-horror metaphor, and why it hits so uncomfortably close to home.
A disturbing and realistic horror film about adolescence, bullying, and body horror at summer camp. The Plague (2025) is one of the year’s most talked-about movies.
Megan and Arthur count down their Top 10 horror movies of 2025—the biggest releases, the under-the-radar surprises, and the films that stuck with them long after the credits (no spoilers).
We rank the top 10 horror movies of 2025—from surprise hits to festival favorites. No spoilers, just honest picks from two die-hard fans of horror cinema.
Horror author Jonathan Janz joins Grave Tone to talk his new sci-fi horror novel Veil, his story “Leonora” in The End of the World as We Know It: New Tales of Stephen King’s The Stand, and why horror is the most “limitless” genre. Plus: childhood trauma movies, haunted-house preferences, and rapid-fire horror takes. Tags
From streaming scares to King-backed anthologies, Jonathan Janz breaks down the trends and cultural shifts making horror 2025’s most unstoppable genre.
Megan and Arthur watched every Silent Night, Deadly Night movie and ranked the entire killer-Santa franchise—then give a mini-review of the brand-new 2025 remake (yes, including “Garbage Day”). Tags
The ultimate Silent Night, Deadly Night list: best to worst, including the 2025 remake. See which entry tops the tree—and which ones are just coal.
Five Nights at Freddy’s 2 review from hardcore horror fans. We break down the FNAF 2 movie’s animatronics, Marionette, Vanessa, Michael Afton, Matthew Lillard & Skeet Ulrich—and ask if this sequel is actually scary or just fan service.
Our FNAF 2 review cuts through the hype: fan-service thrills, PG-13 chills, and a cliffhanger tease. Honest verdict from a horror fan—what worked, what fell flat.
Meaghan and Arthur crack open the 2026 horror slate, from 28 Years Later: The Bone Temple and Evil Dead Burn to Soulm8te, Night Patrol, Send Help, Ready or Not 2, new Exorcist and Resident Evil projects, Robert Eggers’ werewolf movie, and more. Grab a drink and update your horror watchlist.
Let’s be honest, this time of year always sneaks up on us. One second, we’re sipping Halloween cocktails, and the next, we’re staring down a calendar that says December. Like, how? Anyway, Meaghan and Arthur...
We revisit LINK (1986) – the bizarre 80s killer ape / animal-attack horror that traumatized us as kids. Childhood trauma, Elizabeth Shue, live apes on set, a bonkers professor, and the weirdest Jerry Goldsmith score ever.
In this third installment of their ongoing “childhood trauma” series, Meaghan and Arthur revisit the 1986 animal attack thriller Link. If you’ve been tuning in, you already know the premise of this series: each episode,...
